Jay Dawson

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

This song is known the world over as one of George Gershwin's most recorded and famous songs. Jay's arrangement features a sultry, but easy trumpet solo, leading into a high-energy Latin treatment.

La tension monte au fur et à mesure qu'une mélodie bouillonnante se fraye un chemin à travers les vents, puis l'ensemble avant, puis l'ensemble de l'orchestre. Le défi est relevé !

Composée par Mark Schultz, un artiste chrétien primé, cette chanson énergique est un tour de force créatif de mélodies, de rythmes, de couleurs et d'effets. Avec une diversité musicale à son meilleur,...