James Weeks

MURAL has been composed by James Weeks for one or more SATB quartets. This work also has two covers, one for the preliminary page booklet (marked 'Performance Notes'), and a second to engulf a shrink-...

Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants, alongside members of...

James Weeks' A Tear was commissioned by The Organ Project, Union Chapel and first performed by Eclectic Voices (Scott Stroman, director) at Union Chapel, London, on 18th April 2014. This arrangement i...

Commissioned by the New London Chamber Choir and Spitalfields Music, and first performed by the New London Chamber Choir and the London Sinfonietta, conducted by the composer, at the Spitalfields Musi...

This work was commissioned by Plus-Minus Ensemble and first performed by them at King's Place, London, on the 18th March 2013. Duration: 13 minutes.

James Weeks ' The Catford Harmony for Oboe, Clarinet, Alto Saxophone, Piano, Violin and Cello. Composed 2008, revised and published 2014. Duration: 8'30'. Commissioned by Gwyn Pritchard. First perform...

James Weeks ' The Catford Harmony for Oboe, Clarinet, Alto Saxophone, Piano, Violin and Cello. Composed 2008, revised and published 2014. Duration: 8'30'. Commissioned by Gwyn Pritchard. First perform...

James Weeks ' Stacking, Weaving, Building, Joining for any number of pitched instruments (at least six). Performing score. Stacking, Weaving, Building, Joining was first performed by The Hola with CoM...

James Weeks ' Come Away for Soprano, Violin, Cello and Piano. Performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano, Sophie Appleton Violin, Ken Ich...

James Weeks ' Come Away for Soprano, Violin, Cello and Piano. 4 x performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano, Sophie Appleton Violin, Ken...

James Weeks ' The Nunhead Harmony for Clarinet in Bb, Violin, Viola and Double Bass. Score. The Nunhead Harmony was commissioned by Ensemble Scratch the Surface and first performed by them at King's P...

James Weeks ' The Nunhead Harmony for Clarinet in Bb, Violin, Viola and Double Bass. Score and parts. The Nunhead Harmony was commissioned by Ensemble Scratch the Surface and first performed by them a...

James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes, Oboe d'amore, 2 Clarinets (in A), Vibraphone, Guitar, Organ accompaniment). Score. This is one movement from Schilderkonst, which was compo...

James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes, Oboe d'amore, 2 Clarinets (in A), Vibraphone, Guitar, Organ accompaniment). Parts. This is one movement from Schilderkonst, which was compo...

James Weeks ' New Day for Piano and ensemble (open instrumentation, 10-15 players). Composed 2006. Revised and published 2014. Duration: 10'. First performed by participants of the CoMA Summer School...

James Weeks ' Olympic Frieze for any number of pitched instruments (minimum 12). Composed and published 2014. Variable duration. First performed by participants at CoMA Summer School, High Melton, Don...

For two Alto Flutes, Bass Flute, Violin, Viola, Cello. Composed and published 2015. Walled Garden, for String and Flute trios, is a set of three pieces designed to be interleaved with Mala punica, a s...

Mala punica by James Weeks was commissioned by the New London Chamber Choir and Spitalfields Music, and first performed by the New London Chamber Choir and the London Sinfonietta, conducted by the com...

Orlando Tenebrae by James Weeks includes: Latin motets/texts by Adonis (from 'The Desert'), 'Love' by Visar Zhiti, 'The True Prison' (by permission of Ayebia Publishing Ltd), 'The Agreement' by Dinyar...

Radical Road has been expertly composed by James Weeks for 30 singers or more with stones.

James Weeks ' Digger for solo Guitar. This work is dedicated to John Habron and Bethan James on the occasion of their wedding, 27 March 2010. It was commissioned and first performed by Stephen Chase,...

James Weeks ' Two Perscriptions for Piano. I - Gloomy Clouds (2002/4) II - Ring (2002/3) ' Perscription is 'writing-through' (reading done with the pen). Gloomy Clouds dissolves the notes of Liszt's N...

James Weeks ' Matsushima for 1-4 Pianos. Performing score. Matsushima is dedicated to Claudia Molitor. This work is based on a hokku by BashÅ. Matsushima is a an archipelago of some 800 islands in an...

James Weeks ' Duinland for solo Piano with optional Vibraphone.