Gavin Bryars

A beautiful, atmospheric work, inspired by the Yorkshire port of Whitby. Originally written for viola, it lies very well for the cello and has been performed widely in this version. Recorded by Damian...

Cette œuvre chorale de grande envergure pour 24 voix reprend des passages de l'essai de Thomas de Quincey, un texte extraordinaire dont la paternité est ambiguë, mais qui a, pour moi, quelque chose de...

The score and performing material of Jesus' Blood Never Failed Me Yet published by Schott comprises everything that is sanctioned for performance or recording. The use of an obligato voice, improvised...

Unaccompanied Chorus SATBarB

'Laude' were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars' first volume of...

Chorpartitur inkl. Klavierstimme für Probezwecke

Gavin Bryars has written prolifically for choirs of all abilities in a range of styles, from his sombre 'Cadman Requiem' to his uplifting song 'The Open Road', written for and performed by 300 people...

Cette œuvre chorale de grande envergure pour 24 voix reprend des passages de l'essai de Thomas de Quincey, un texte extraordinaire dont la paternité est ambiguë, mais qui a, pour moi, quelque chose de...

Oper in 2 Akten nach einer Novelle von Jules Verne

Glorious Hill may be performed by a male choir.Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate.Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at...

This piece was written in 1997 for unaccompanied voices after the choral piece 'On Photography' for the Hilliard Ensemble and is dedicated to them.Expressa Solis may also be performed by male choir.

These Madrigals were written especially for the Hilliard Ensemble with who Gavin Bryars has worked for many years. The texts are by the poet and writer Blake Morrison.

Commissioned by the York Early Music Foundation for the Orlando Consort, Super Flumina focuses on a legend associated with St Mary's Abbey in York where in 1377 fisherman brought the lifeless body of...

My collection of laude has its origins in the world of early music, being based in spirit and feeling on the unaccompanied vocal 'laude' found in a collection from 13th century Cortona. The people who...

Les œuvres contenues dans ces trois volumes pour chœur d'hommes à huit parties proviennent d'une mise en musique de sonnets d'Edwin Morgan, poète lauréat écossais (1920-2010). Bryars, grand admirateur...

The works in these three volumes for eight-part male choir are settings of sonnets by late Scottish Poet Laureate, Edwin Morgan (1920-2010). An admirer of Morgan's virtuosic poetry, Bryars wrote Silva...

The works in these three volumes for eight-part male choir are settings of sonnets by late Scottish Poet Laureate, Edwin Morgan (1920-2010). An admirer of Morgan's virtuosic poetry, Bryars wrote Silva...

Like many Englishmen I had sung madrigals for pleasure - usually late at night with friends, after several glasses of wine. While these madrigals have their charm, and many are extremely beautiful, I...

The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti...

Originally for solo cello, 'Tre Laude Dolçe' is characterised by long phrases and open structures; a beautiful work perfect for any good bassist.

Cet arrangement de la Lamentation de Didon fut composé à l'occasion des funérailles de Frank Campbell, un ami du compositeur. Par respect pour Frank qui était un pianiste accompli, aucune musique inst...

String Quartet No. 1 ('Between the National and the Bristol') was commissioned by the Vienna Festival for the Arditti Quartet to perform in October 1985. '... a great deal of the music is in the high...