Cole Porter

Arranged for the USAF Airmen of Note. It's a tenor sax solo feature with a ballad intro moving into a straight-eighth groove at around 160 BPM. There are some great solis with some tight harmony, lush...

Cole Porter is truly one of the great American songwriters, and his classic Night and Day has become a jazz standard. This David Pugh arrangement is very playable, and yet it captures all the jazz nua...

This arrangement by Oliver Nelson is a gorgeous alto saxophone feature of Cole Porter's I Worship You. The alto player can either perform the solo part (completely written out) as originally played an...

This is a beautiful, lush, straight-eighth ballad on the popular Cole Porter tune Easy To Love. Arranged by Lennie Niehaus, this short (and quite dancable) chart exemplifies the Kenton-esque warm and...

As recorded by the Stan Kenton Orchestra on Stage Door Swings, this is a lovely ballad scored in the incomparable Kenton style. Niehaus uses the saxophone section to great effect. Limited ranges make...

Smooth chromatic jazz sonorities are the star of this delicious arrangement of the classic standard. A delicate opening 'oo' section gives way to a unison statement of the melody before melting into r...

Cole Porter's most famous 'list song' is offered here in an arrangement that pulls out all the stops. The sweet opening verse leads into the traditional swing, then finishes off with a rollicking kick...

Cole Porter's most famous 'list song' is offered here in an arrangement that pulls out all the stops. The sweet opening verse leads into the traditional swing, then finishes off with a rollicking kick...

Cole Porter's most famous 'list song' is offered here in an arrangement that pulls out all the stops. The sweet opening verse leads into the traditional swing, then finishes off with a rollicking kick...

This Cole Porter classic has been given a fresh and unique musical treatment by award-winning arranger Mark Hayes. It opens with the verse up front, then moves from a slick 2-beat with a walking bass...

This Cole Porter classic has been given a fresh and unique musical treatment by award-winning arranger Mark Hayes. It opens with the verse up front, then moves from a slick 2-beat with a walking bass...

This Cole Porter classic has been given a fresh and unique musical treatment by award-winning arranger Mark Hayes. It opens with the verse up front, then moves from a slick 2-beat with a walking bass...

Jay offers a light swing approach to this Cole Porter favorite from the 1943 film Something to Shout About. Sung by jazz artists across the board, such as Ella Fitzgerald, Frank Sinatra, and Mel Tormé...

Originally appearing in Cole Porter's 1936 musical Red, Hot, and Blue, this flirtatious duet was also featured in Anything Goes, recently revived on Broadway. Jay's light swing approach makes this cla...

Originally appearing in Cole Porter's 1936 musical Red, Hot, and Blue, this flirtatious duet was also featured in Anything Goes, recently revived on Broadway. Jay's light swing approach makes this cla...

Originally appearing in Cole Porter's 1936 musical Red, Hot, and Blue, this flirtatious duet was also featured in Anything Goes, recently revived on Broadway. Jay's light swing approach makes this cla...

Originally written for Kiss Me Kate, this Cole Porter tune has become a treasured part of the Great American Songbook. A sultry bass line and finger snaps command attention right from the first sizzli...

Love Me, Love My Pekinese, written by Cole Porter, from Born To Dance, arranged for voice and piano with guitar chords.

You'd Be So Nice To Come Home To, written by Cole Porter, from the Columbia Picture 'Something To Shout About', arranged for voice and piano with guitar chords.

All Of You, written by Cole Porter, from 'Silk Stockings', arranged for voice and piano with guitar chords.