Arthur Bliss

Un recueil de chansons anciennes et épuisées depuis longtemps, publié en collaboration avec le Bliss Trust à l'occasion du 50e anniversaire de la mort du compositeur. Préface de Giles Easterbrook, fer...

Un recueil d’œuvres de jeunesse, publié en collaboration avec le Bliss Trust à l’occasion du 50e anniversaire de la mort du compositeur. Préface de Giles Easterbrook, fervent défenseur de la musique d...

Première publication d’un mouvement de sonate non catalogué par le compositeur, mais qu’il a conservé pendant près de 60 ans. Édité par Rupert Marshall-Luck et publié en collaboration avec le Bliss Tr...

Studienpartitur der Neufassung 1965

Parts for Arthur Bliss's Quintet For Clarinet And String Quartet. Duration 26 minutes. Composed 1932.

Arthur Bliss's first orchestral compositions, his studies for Full Orchestra, are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2...

Arthur Bliss, Pastoral for Clarinet and Piano was composed around 1916. It is one of two pieces for clarinet and piano, the other is unpublished. 'Pastoral'is composed for either clarinet in A or Bfla...

March From The London Film Production 'Things To Come' composed by Arthur Bliss, arranged for piano solo.

The second of Two Ballads by Arthur Bliss - Flowers In The Valley was commissioned by the Isle Of Man Arts Council for the school children of the island. This accessible and enchanting setting of a te...

Written in 1927.

For flute, oboe, violin, viola and cello.

Instrumentation: Oboe, Two Violins, Viola and Violoncello

The Beatitudes' is a cantata by Arthur Bliss, scored for Soprano and Tenor soloists, SATB Chorus and Orchestra. This is the full score, a full performance of which lasts around 50 minutes. The work w...

Urtext d'un mouvement de sonate non catalogué par le compositeur, mais qu'il a conservé pendant près de 60 ans. Édité par Rupert Marshall-Luck et publié en collaboration avec le Bliss Trust à l'occasi...

Overture Edinburgh was composed in 1952. There are certain elements in this work that bind it to the city of Edinburgh. The opening carries the rhythm of the word 'Edinburgh' itself. This rhythm occur...