The issue of musical literacy is not the same as sight reading, yet singers frequently are only educated in the latter. This remarkable resource organizes the learning process into 3 areas: Names, Rhy...
As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The divisi in the melody lines are either in octaves or very sim...
As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice and descant voice, while really cool, are enti...
As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice, while really cool, is entirely optional. Dire...
Commissioned for the Northwest Division ACDA Youth Honor Choir, Ken Berg has merged two favorite spirituals about hands: He's Got the Whole World in His Hands and The Lord Has Got His Hands on Me. Thi...
This multicultural piece hails from Venezuela, homeland to USC choral director, Dr. Cristian Grases. It is a working song about women grinding corn that captures the cultural flavor of the region. Inc...
Emily John, harpist and elementary choral director, offers us an absolutely delightful setting of this absurd and playful nursery rhyme. Selected for the Judith Herrington Choral Series, historical an...
Alabado is one of several hymns that originated at, or in close proximity to the Santa Barbara Mission during the middle and late 18th century. Composer, scholar and USC professor Nick Strimple has pr...
Voiced for both SSAA and SATB, Kevin Memley displays, again, his command for expressing poetry in song. The musical lines take us into Christina Rossetti's poem, into her dream, and speaks for all of...
Not often does a song so completely capture the spirit of a new world, but this one does with an exclamation point. Proud, expectant, hopeful, assuring, as full as the Statue of Liberty, this dynamic...