I Hear a Rhapsody

I Hear A Rhapsody

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I Hear a Rhapsody

I Hear A Rhapsody

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I Hear a Rhapsody

I Hear A Rhapsody

sera expédié dans 1-2 jours ouvrables disponible
sera expédié dans 1-2 jours ouvrables
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Description:

  • Langue: allemand anglais français
  • Pages: 96
  • Parution: 30.11.2015
  • Poids: 588 g
  • Catégorie: Backing-track
  • Genre: Jazz
  • ISBN: 9783892210399
  • ISMN: 9790206309472
  • EAN: 805095145076
I Hear A Rhapsody (Fragos/Baker/Gasparre): Inspired by the Evans/Hall recording 'Undercurrent', performed in a medium groove tempo.
Stella By Starlight (in Bb): One of the most perfect of the popular songs.
Labour Day (Abercrombie): Challenging composition using an unusual form (18 bars) and chord progression.
Paramour (Abercrombie): Through-composed ballad, written to sound like a standard, but with some different harmonic movement other than II-V-I.
Three East (Abercrombie): This original composition in 3/4 time contains hauntingly beautiful images of open space that meet with an almost baroque-like flavor.
Timeless (Abercrombie): One of John's most famous compositions, originally recorded on the ecm album of the same name.
Includes individual instrumental parts in C, Bb, Eb and bass clef, plus completely notated guitar and bass parts, as played by John Abercrombie and George Mraz. Horn players will also enjoy playing along with this transparent and inspiring guitar rhythm section.
John Abercrombie - guitar, George Mraz - bass, Adam Nussbaum - drums
Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch.
Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales.
Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use.
Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You).
Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc.