Magnificat is a tribute to the unaccompanied motets of favourite composers from several eras - in particular those of Dufay, the Eton Choirbook, Robert Carver, Lassus and Bach. The work is therefore f...
Commissioned by Geoffrey Webber and the Choir of Gonville and Caius College, Cambridge
Although I had already set separate Latin versions of both the Magnificat and Nunc Dimittis, this is the first time I've made a setting in English of both texts for use at Evensong. I have often atten...
Le titre de la première œuvre pour guitare de Julian Anderson se rapporte à un tableau de Joan Miró dans lequel la couleur dominante est un bleu rayonnant. Des fragments d'objet sont visibles : des co...
Das Werk kann als Zyklus, in einzelnen Sätzen oder in Kombinationen ausgeführt werden:She Hears ist eine Studie des Zuhörens. Toucher ist eine Feier musikalischer Textur und Farbe. Sight Lines ist ein...
Written in memory of American composer Steve Stucky and recorded by Grammy winning pianist Gloria Cheng as part of a collection of tributes. A light and optimistic piece filled with bursts of notes ri...
With the instruction that the work should be played 'With unimaginable joy!', this early work for two violins by British composer Julian Anderson would be perfect for both conservatory students and st...
Avec la consigne de jouer l'oeuvre avec « une joie inimaginable ! », cette pièce (composée à l'origine pour deux violons) est tout à fait adaptée à des élèves de Conservatoire qui comptent sur un prog...
The title is the Russian for 'round dance'. The first performance was given by the London Sinfonietta, conducted by Markus Stenz, in the Barbican Hall, London, on 6 December 1994, Instrumrentation: 1(...
Full of oddities – whirring ratchets, raucous off-stage clarinets, wonky waltzes –that brilliantly capture the humour and nostalgia of the Tom Phillips drawings that inspired them. The Dai...